panorama camera - Expired roll
Rick Alarcon is a US photographer in Paris , France, specializing in portraits, events, and artistic photography.
I found an old point and shoot panorama camera in my things. It’s not a true panorama, but rather a 35mm point and shoot that blacks out the frame to give that panorama letterbox look. I didn’t even know I still had the camera, let alone that there was film on it. Expired film, plastic camera, light leaks, sitting in a box for years. Perfect, let’s develop it.
So here’s a roll of expired Fujifilm 200, probably from around Covid time from what I can see. Images were left untreated and at original crop, because there is no coming back for these.
There’s no lesson to take from this as it is a miracle anything came out of this roll, and though not the greatest, some nice memories of friends from a forgotten time.
buymearolloffilm.com
Film photography costs - from purchasing, to development and scanning, to printing - can make it difficult to regularly produce work, so in the event that you would like to be a patron of the arts and support me, you can now do so. You would be helping me to acquire the tools to make more images. and not only would you be helping me, but also those who can’t donate, as I intend to deliver the same images for all.
All support goes towards the purchase, development, scanning, printing and furthering of my analog film work. Images will always be made available via the blog, as well as some notes to let you know how it is all going and other thoughts. Support and help me create.
Cheers,
Rick
summer 2025: ilford fp4 125
Rick Alarcon is a US photographer in Paris specializing in portraits, events, and artistic photography.
I’ll try to start blogging more images here as well as on social media, as it is a bit limiting in presenting work and my friends tell me I like to talk a lot. I turned back to film for daily work recently: refreshing, brain twisting, highly recommended to stretch the muscles.
My parents’ Canon AE-1 50mm FD f/1.8, Ilford fp4 125 pushed one stop, reflx lab meter, labo and scan: reportage-image. Two test rolls. May post the duds one day (only one here cause there was some weird ‘me double exposure/I-don’t-know-what + lab/development’ and it looked cool.
Click on each photo for full screen. Hover over for more.
How to Plan a Paris Photoshoot That Fits Your Trip (Timing, Light & Logistics)
The best Paris photoshoots are the ones that fit naturally into your trip—not the ones that disrupt it. With a bit of planning, a session can feel effortless and become one of the most relaxed moments of your stay.
Here’s how to approach it.
The best Paris photoshoots are the ones that fit naturally into your trip—not the ones that disrupt it. With a bit of planning, a session can feel effortless and become one of the most relaxed moments of your stay.
Here’s how to approach it.
Choose the right time of day
Light matters more than location. Early mornings are quieter and softer, while late afternoons offer warmth and movement. I usually recommend scheduling the session at a time that complements your energy—not when you’re rushing between plans.
Keep locations close
A great session doesn’t require covering half the city. Two nearby locations often give more variety (and better images) than trying to do too much. This keeps things relaxed and avoids unnecessary travel.
Plan outfits with the environment in mind
Neutral tones photograph beautifully against Paris architecture. Comfort is key—walking is part of the experience. If you’re unsure, I can help you choose something that works for the location and season.
Book early if possible
Booking ahead allows us to choose the best light and build flexibility into your schedule. Sunrise sessions and weekends tend to fill first, especially during peak travel months.
Leave space, not pressure
Your photoshoot shouldn’t feel like a checklist item. When it’s planned with breathing room, it becomes something you enjoy rather than something you “get through.”
A well-planned session doesn’t just produce better photos—it creates a better experience.
If you’re starting to organize your trip and want help fitting a photoshoot into it naturally, feel free to reach out. I’ll help you plan something that works for you.
What to Expect From a Paris Photoshoot (For Couples, Solo Travelers & Families)
After the session
You’ll receive your images quickly, clearly edited, and ready to use—whether that’s for prints, sharing, or simply keeping as a memory of your time in Paris.
A photoshoot should feel like part of your trip, not a performance added to it.
If you’re wondering whether a session is right for you, feel free to reach out and ask. I’m always happy to answer questions before you decide.
Most people who contact me say the same thing: “We’re excited… but we’re not sure what to expect.”
That’s completely normal. A photoshoot should never feel intimidating or overly structured. My goal is to make the experience calm, simple, and enjoyable—especially if you don’t feel natural in front of a camera.
Here’s how a typical session works.
Before the session
Once we confirm a date, I help you choose the best time of day and location based on light, crowds, and your schedule. If you’d like feedback on outfits, I’m happy to help—small adjustments often make a big difference.
You don’t need to plan poses or practice anything in advance, though it certainly helps. I often find that many people have no experience when posing, but in fact, it is very easy to learn how to look natural on camera.
During the session
The session feels more like a guided walk than a photoshoot. I give gentle direction when needed—how to stand, where to place your hands, when to move—but nothing rigid or forced.
For couples and families, the focus is on interaction. For solo travelers, we work on posture, movement, and expressions that feel natural and confident.
If something feels awkward, we adjust. There’s no pressure to “get it right.”
Pacing and comfort
Sessions are never rushed. We move at a comfortable pace, take breaks if needed, and adapt to how you’re feeling. Many clients tell me they forget about the camera within the first few minutes.
After the session
You’ll receive your images quickly, clearly edited, and ready to use—whether that’s for prints, sharing, or simply keeping as a memory of your time in Paris.
A photoshoot should feel like part of your trip, not a performance added to it. If you’re wondering whether a session is right for you, feel free to reach out and ask. I’m always happy to answer questions before you decide.