can’t beat the heat!: photo nation 250D (vision 3)
Rick Alarcon is a US photographer in Paris , France, specializing in portraits, events, and artistic photography.
What a face-melting good time! It took some time to get through this roll, time has been moving slow lately. More cinema film stock, re-packaged Kodak Vision 3 250D. Let’s go!
I’m really a big fan of this look, warm yellows and such, though I don’t like to play favorites, so find me someone bulk rolling cans of 200T and I will let you know.
The lab tells me that the next roll could be a while, but I got a solution! Acquiring the last of the tools right now needed to develop and scan at home for reals reals, so putting that into the routine in the next little while. Thank you for all of those who have supported thusfar to make it possible to be able to do things like that, you make it happen! My humblest thanks to you. If you haven’t supported my work and would like to do so, please click the link here. Cheers to you!
The heat done slow me down a bit, but check for more regular appearances in the near future. Once I get things up a bit more and organized, I’ll be able to post to here a bit more often. Plus more control and savings, but I’ll again be able to do more with what is made available.
les bleus + the blues: fujifilm color 200
Rick Alarcon is a US photographer in Paris , France, specializing in portraits, events, and artistic photography.
The Olympus AF-1 is my new favorite thing. Glorious Fujifilm 200 (donated! thank you! visit the support page, y’all.) showed up in my mailbox and nothing better to beat the scorching heat than a little bit of cool.
Stay cool everyone!
tuileries + a test roll: kentmere pan 400
Rick Alarcon is a US photographer in Paris , France, specializing in portraits, events, and artistic photography.
My Canon needed new light seals, so I changed them and had to run something through it to test things out. What better than a cheap roll of black and white kentmere pan 400? I dunno, never used it, so let’s see. A bit from around town here, but I had to go to the gardens twice this week, so you might notice most are from around there.
Even though many consider it on underperforming end of the film stock spectrum, I didn’t find it that bad, really. It’s like that shit car that you use to go to work: dependable, does its job. It’s 400, so a little bit too gritty for my taste, but maybe their others iso are a bit nicer? Hmmm…further investigations needed. I have just bought a roll of the Pan 200, so let’s see if that is any better and I’ll let you know.
Speaking of buying more film, did you know you can help with that? Please visit my support page to find out how to help my work in analog photography! Much love to those who have done so already, it has been a great help. I thank you.
More color to come too!
adornments
Rick Alarcon is a US photographer in Paris , France, specializing in portraits, events, and artistic photography.
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bric-a-brac: colorplus, vision 3 250D, something something.
Rick Alarcon is a US photographer in Paris , France, specializing in portraits, events, and artistic photography.
New point and shoot here! Got my hands on an Olympus AF-1 (purchased from an old Kodak employee, so that’s cool too…thank you for your service, sir). She is exactly the kind of low maintenance, not have to overthink it, daily carry that one needs in their life.
spires.
Things are functioning, more later with that camera.
For now, just a few random bits I’ve been able to take a look and finally put together with more Colorplus, Portra 400 I think, and some Fujifilm? I’m very, very, very selective, so I try to go back and pick out ones I wouldn’t have necessary selected the first time around and well, that takes time. I haven’t been the best at logging things though lately either and have been slowly getting through it all, so here is just a bit of color bric-a-brac.
I’ll have the black and white bits coming shortly. In the meantime, if you would like to support my analog photography, you can do so here. Cheers!